KORG Triton Studio User Manual
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• When you set the “Pan” (Sequencer/Song Play P0: 0–
3a/4a) in Sequencer mode or Song Play mode, or when
you re-select the song or return to the beginning of the
measure in Sequencer mode, Panpot messages (except
for RND) will be transmitted by each track whose
“Status” is BTH, EXT, or EX2 (
Post insert effect panpot (CC#08) [Bn, 08, vv]
(vv: value, where 00 is far left, 64 is center, and 127 is far
right)
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROL knob [1]–[4], operating that controller will transmit
Post Insert Effect Panpot messages, and the panning of the
sound following the insert effect will change. When this
message is received, the result will be the same as when the
controller is operated.
• In Program mode and Sampling mode, this message is
transmitted/received on the global MIDI channel. In
Combination, Sequencer, and Song Play modes, this
message is transmitted/received on the MIDI channel
specified for each insert effect.
• When you set “Pan (CC#8)” (Sequencer/Song Play P8:
8–3) in Sequencer mode or Song Play mode, or when
you re-select the song or return to the beginning of the
measure in Sequencer mode, Post Insert Effect Panpot
messages will be transmitted by each track whose
“Status” is BTH, EXT, or EX2 (
Effect control
Effect control 1 (CC#12) [Bn, 0C, vv]
Effect control 2 (CC#13) [Bn, 0D, vv]
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROL knob [1]–[4], operating that controller will transmit
Effect Control 1/2 messages, and the specified dynamic
modulation will be controlled. When this message is
received, the result will be the same as when the controller is
operated.
Although various types of control change can be selected as
dynamic modulation sources, Effect Control 1 (CC#12) and 2
(CC#13) are dedicated for dynamic modulation.
Effect 1 depth (Send 2) (CC#91) [Bn, 5B, vv]
Effect 3 depth (Send 1) (CC#93) [Bn, 5D, vv]
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROL knob [1]–[4], operating that controller will transmit
Effect 1 Depth (Send 2) or Effect 3 Depth (Send 1) messages,
and the send level 1 or 2 to the master effects MFX1 or MFX2
will be controlled respectively. When this message is
received, the result will be the same as when the controller is
operated.
On the corresponding MIDI channels, this will simulta-
neously control the timbre/track setting as well as the set-
ting following the insertion effect.
• In Combination, Sequencer, and Song Play modes, the
actual send level of the timbre/track is determined by
multiplying this value with the send 1/2 settings for
each oscillator (Program P8: 8–1d). (OSC1 “Send 1 (to
MFX1)”/OSC2 “Send 2 (to MFX2)”
☞p.28, “Send 1
• When you adjust “Send 1 (MFX1)” or “Send 2 (MFX2)”
(Sequencer, Song Play P8: 8–3) in Sequencer mode or
Song Play mode, or when you re-select a song or return
to the beginning of the measure in Sequencer mode,
Send 1/2 will be transmitted by each track whose
“Status” is BTH, EXT, or EX2. (
Effect 2 depth (IFX1–5 on/off) (CC#92) [Bn, 5C, vv]
Effect 4 depth (MFX1 on/off) (CC#94) [Bn, 5E, vv]
Effect 5 depth (MFX2 on/off) (CC#95) [Bn, 5F, vv]
Separately from the effect on/off settings in each mode,
“Effect Global SW” (Global P1: 0–1b) allows you to turn off
insert effects IFX1–5 and master effects MFX1 and MFX2. If
you check “IFX1–5 Off,” “MFX1 Off” or “MFX2 Off,” the
corresponding message will be transmitted with vv=0 [00].
If you uncheck these settings, the corresponding message
will be transmitted with vv=127 [7F]. If you check these set-
tings, the corresponding effect(s) will be turned off as a
group. If you uncheck these settings, the on/off settings of
each mode will be used. The same applies to reception. (vv
of 00 is off, and 01 or greater is the original setting.) These
messages are transmitted/received on the global MIDI chan-
nel. (“IFX 1–5 on/off” - “MFX 1, 2 on/off”
These messages are defined simply for use in adjusting
the effect levels, and may not have the same function on
another instrument connected to the TRITON STUDIO.
Using various controllers for control
Foot controller (CC#04) [Bn, 04, vv]
If the above CC# is assigned as the ASSIGNABLE PEDAL
function, this message will be transmitted when the control-
ler is operated.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (“Enable Foot
Pedal/Switch” Combination P3: 3–4a, Sequencer P3: 3–
7a/8a).
Ribbon controller (CC#16) [Bn, 10, vv]
This message will be transmitted when the TRITON STU-
DIO’s ribbon controller is operated.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (“Enable Ribbon”
Combination P3: 3–2a, Sequencer P3: 3–3a/4a).
Controller (CC#18) [Bn, 12, vv]
This message will be transmitted when the TRITON STU-
DIO’s [VALUE] slider is operated.
This is valid in “Program Select” (Program P0: 0–1a) and
“Combination Select” (Combination P0: 0–1a) when the pro-
gram or combination number/name is selected (high-
lighted).
Knob modulation 1, 2, 3, 4 (CC#17, 19, 20, 21)
[Bn, 11, vv], [Bn, 13, vv], [Bn, 14, vv], [Bn, 15, vv]
If the above CC# are assigned to the B-mode of REALTIME
CONTROLS [1]–[4] knobs, these messages will be transmit-
ted when the knobs are operated.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (“Enable Realtime
Controls Knob 1, 2, 3, 4” Combination P3: 3–3a,
Sequencer P3: 3–5a/6a).
Controller (CC#83) [Bn, 53, vv]
If the above CC# is assigned to the B-mode of REALTIME
CONTROLS [1]–[4] knobs, this message will be transmitted
when the knob is operated.
SW1 modulation (CC#80) [Bn, 50, vv]
SW2 modulation (CC#81) [Bn, 51, vv]
If the above CC# are assigned as the function of [SW1] or
[SW2], operating the switch will transmit this message with
vv=127 [7F] for ON, and vv=00 [00] for OFF. (These can also
be set as the B-mode functions of the REALTIME CONTROL
knobs [1]–[4].)