KORG Triton Studio - Manual (Page 74)

63
Sequencer
P0
P1
P2
P3
P4
P5
P6
P7
P8
P9
MIDI Channel [01…16]
Specifies the MIDI channel that the track will use to transmit
and receive musical data. The MIDI channel you specify
here will be the receive channel when “Status” is INT, the
transmit channel when it is EXT or EX2, and the receive/
transmit channel when it is BTH. Tracks set to INT which
have the same MIDI channel will sound and be controlled
identically when they receive MIDI data or data from the
sequencer tracks.
Bank Select (When Status=EX2) [000:000...127:127]
When “Status” is set to EX2, this sets the bank number that
will be transmitted.
The left value is the MSB, and the right value is the LSB.
When “Status” is other than EX2, this setting has no effect.
2–3: OSC 1–8
(OSC T01–08)
2–4: OSC 9–16
(OSC T09–16)
These parameters specify how each track will be sounded.
2–3(4)a: Force OSC Mode, OSC Select, Portamento
Force OSC Mode [PRG, Poly, MN, LGT]
Selects the Voice Assign Mode (Program P1: 1–1b) of the pro-
gram selected for each track 1–16 (
☞Combination P2: 2–2a).
OSC Select [BTH, OS1, OS2]
Specifies the “Oscillator Mode” of the program selected for
each track 1–16. If the “Oscillator Mode” is Double, you can
use this setting to make only one or the other oscillator
sound (
☞Combination P2: 2–2a).
Portamento [PRG, Off, 001...127]
Specifies the portamento effect for each track 1–16 ( ☞Com-
bination P2: 2–2a).
The portamento setting you make here will be used
when the song is played or recorded from the begin-
ning. If you change the setting while recording, it will
be recorded as part of the musical data. (However if
you set this to PRG, it will not be recorded.) You can
change this setting during playback. However if you
come to any Portamento On/Off data or Portamento
Time data that was recorded, the settings will change
accordingly.
When the track whose “Status” (2–1a/2a) is INT or
BTH
, MIDI control change CC#5 (Portamento Time)
and CC#65 (Portamento Switch) can be received to con-
trol this and change the setting. (If the setting is PRG,
CC#05 Portamento Time will not be received.)
When you switch songs or return to the beginning of
the song, tracks whose “Status” is BTH, EXT, or EX2
will transmit this setting via MIDI. If this is Off, CC#65
with a value of 0 will be transmitted. If this is 001–127, a
CC#65 of 127 and CC#05 of 1–127 will be transmitted.
If this is set to PRG, nothing will be transmitted.
This data is transmitted and received on the MIDI chan-
nel specified for each track by “MIDI Channel” (2–1a/
2a).
2–5: Pitch 1–8
(Pitch T01–08)
2–6: Pitch 9–16
(Pitch T09–16)
Here you can make pitch-related settings for each track.
2–5(6)a: Transpose, Detune, Bend Range
Transpose [–24...+24]
Adjusts the pitch of each track in semitone steps.
12
steps are one octave.
Detune (BPM Adj. in Page Menu) [–1200... +1200]
Adjusts the pitch of each track in one-cent steps from the
normal pitch.
0: Normal pitch.
You can use the “Detune BPM Adjust” (2–5A) page menu
command to make a calculation in BPM units and set
Detune automatically.
“Transpose” and “Detune” settings do not affect the
note data that is transmitted via MIDI. “Transpose” and
“Detune” are controlled by received MIDI RPN mes-
sages. The “Oscillator Mode” (Program P1:1–1a) of the
programs selected for tracks 1–16 will be controlled as
follows. These messages will be received on the MIDI
channel that is specified for each track by “MIDI Chan-
nel” (2–1a/2a).
• If “Oscillator Mode” is Single or Double, MIDI RPN
Coarse Tune messages can be received to control and
change the “Transpose” setting, and Fine Tune
messages to control and change the “Detune” setting.
• If “Oscillator Mode” is Drums, MIDI RPN Coarse
Tune and Fine Tune messages can be received to
control and change the “Detune” setting. The range of
control will be ±1 octave when Coarse Tune and Fine
Tune are added.
Bend Range [PRG, –24...+24]
Specifies the range of pitch change in semitone steps that
will occur when the pitch bender is operated.
PRG: The pitch range specified by the program will be used.
–24–+24: Regardless of the setting of the program, pitch
bending will use the range you specify here.
This setting can be controlled and changed by received
MIDI RPN Pitch Bend Range messages. (These mes-
sages will not be received if the setting is PRG.)
0–1
0–1a
2–3a
0–1b
0–3a
2–5
0–1a
2–5a
0–1b
0–3a