Roland SH-4d Digital Desktop Synthesizer - Manual (Page 154)

MFX Parameters
154
Parameter Value Explanation
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser
Chorus Sw OFF, ON Chorus on/off
Cho
PreDly
0.0–100 [ms] Adjusts the delay time from the direct sound until the chorus sound is heard.
C. Rate 0.05–10.00 [Hz] Frequency of modulation
Cho Depth 0–127 Depth of modulation
Cho Bal
D100: 0W–D0:
100W
Adjusts the volume balance between the sound that is sent through the chorus (W) and the
sound that is not sent through the chorus (D).
Level 0–127 Output Level
Gt -> Flanger (Guitar Amp Simulator -> Flanger)
Parameter Value Explanation
Pre Amp
Sw OFF, ON Turns the amp switch on/off.
ATyp
Type of guitar amp
JC-120 This models the sound of the Roland JC-120.
CLEAN TWIN This models a Fender Twin Reverb.
MATCH DRIVE
This models the sound input to left input on a Matchless D/C-30.
A simulation of the latest tube amp widely used in styles from blues and rock.
BG LEAD
This models the lead sound of the MESA/ Boogie combo amp.
The sound of a tube amp typical of the late ’70s to ’80s.
MS1959I
This models the sound input to Input I on a Marshall 1959.
This is a trebly sound suited to hard rock.
MS1959II This models the sound input to Input II on a Marshall 1959.
MS1959I+II
The sound of connecting inputs I and II of the guitar amp in parallel, creating a sound with
a stronger low end than I.
SLDN LEAD This models a Soldano SLO-100. This is the typical sound of the eighties.
METAL 5150 This models the lead channel of a Peavey EVH 5150.
METAL LEAD This is distortion sound that is ideal for performances of heavy riffs.
OD-1
This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.
OD-2 TURBO This is the high-gain overdrive sound of the BOSS OD-2.
DISTORTION This gives a basic, traditional distortion sound.
FUZZ A fuzz sound with rich harmonic content.
Drive 0–127 Volume and amount of distortion of the amp
Master Lv 0–127 Volume of the entire pre-amp
Gain LOW, MIDDLE, HIGH Amount of pre-amp distortion