Roland SH-4d Digital Desktop Synthesizer - Manual (Page 155)

MFX Parameters
155
Parameter Value Explanation
Bass 0–127 Tone of the bass/mid/treble frequency range
Middle 0–127
Treble 0–127
Speaker Sw OFF, ON Selects whether the sound will be sent through the speaker simulation (ON) or not (OFF).
STyp
Cabinet Diameter (in inches) and
number of the speaker Microphone
SMALL 1 small open-back enclosure 10 dynamic
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser
Flg Switch OFF, ON Flanger on/off
Flg PreDly 0.0–100 [ms] Adjusts the delay time from the direct sound until the flanger sound is heard.
F. Rate 0.05–10.00 [Hz] Frequency of modulation
Flg Depth 0–127 Depth of modulation
Flg Fbk
-98–+98 [%] Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-)
settings will invert the phase.
Flg Bal
D100: 0W–D0: 100W Adjusts the volume balance between the sound that is sent through the flanger (W) and
the sound that is not sent through the flanger (D).
Level 0–127 Output Level
Gt -> Phaser (Guitar Amp Simulator -> Phaser)
Parameter Value Explanation
Pre Amp
Sw OFF, ON Turns the amp switch on/off.
ATyp
Type of guitar amp
JC-120 This models the sound of the Roland JC-120.
CLEAN TWIN This models a Fender Twin Reverb.
MATCH DRIVE
This models the sound input to left input on a Matchless D/C-30.
A simulation of the latest tube amp widely used in styles from blues and rock.
BG LEAD
This models the lead sound of the MESA/ Boogie combo amp.
The sound of a tube amp typical of the late ’70s to ’80s.
MS1959I
This models the sound input to Input I on a Marshall 1959.
This is a trebly sound suited to hard rock.
MS1959II This models the sound input to Input II on a Marshall 1959.
MS1959I+II
The sound of connecting inputs I and II of the guitar amp in parallel, creating a sound with a
stronger low end than I.
SLDN LEAD This models a Soldano SLO-100. This is the typical sound of the eighties.