33 gt amp sim (guitar amp simulator), Navi, Mfx list – Roland GAIA 2 37-Key Virtual Analog + Wavetable Synthesizer User Manual

Page 78

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78

Navi

MFX List

Parameter

Value

Explanation

Sense

-60.0–0.0 [dB]

Adjust this value so that the sound is not made louder when distortion is

applied.

PostGain

-48.0–+12.0 [dB]

Gain following distortion processing

Balance

D100:0W–D0:100W

Volume balance between the dry sound (D) and effect sound (W)

Level

0–127

Output Level

33 Gt Amp Sim (Guitar Amp Simulator)

This is an effect that simulates the sound of a guitar amplifier.

L in

L in

R in

R in

Speaker

Speaker

Pre Amp

Pre Amp

L out

L out

R out

R out

Pan L

Pan R

Parameter

Value

Explanation

Pre Amp Sw

OFF, ON

Turns the amp switch on/off.

ATyp

JC-120

This models the sound of the Roland JC-120.

CLEAN TWIN

This models a Fender Twin Reverb.

MATCH DRIVE

This models the sound input to left input on a Matchless D/C-30.
A simulation of the latest tube amp widely used in styles from blues and rock.

BG LEAD

This models the lead sound of the MESA/ Boogie combo amp.
The sound of a tube amp typical of the late ’70s to ’80s.

MS1959I

This models the sound input to Input I on a Marshall 1959. This is a trebly sound

suited to hard rock.

MS1959II

This models the sound input to Input II on a Marshall 1959.

MS1959I+II

A model of the Marshall 1959 sound, with inputs I and II connected in parallel. Offers

a sound with a more emphasized low-end than MS1959I.

SLDN LEAD

This models a Soldano SLO-100. This is the typical sound of the eighties.

METAL 5150

This models the lead channel of a Peavey EVH 5150.

METAL LEAD

This is distortion sound that is ideal for performances of heavy riffs.

OD-1

This models the sound of the BOSS OD-1. This produces sweet, mild distortion.

OD-2 TURBO

This is the high-gain overdrive sound of the BOSS OD-2.

DISTORTION

This gives a basic, traditional distortion sound.

FUZZ

A fuzz sound with rich harmonic content.

Drive

0–127

Volume and amount of distortion of the amp

Master

0–127

Volume of the entire pre-amp

Gain

LOW, MIDDLE,
HIGH

Amount of pre-amp distortion

Bass

0–127

Tone of the bass/mid/treble frequency range

Middle

0–127

Treble

0–127

Presence

0–127

Tone for the ultra-high frequency range

Bright

OFF, ON

Turning this “On” produces a sharper and brighter sound.
This is enabled only when the preamp type is “JC-120”, “CLEAN TWIN”, “MATCH

DRIVE”or “BG LEAD”.

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