Sony OXF-R3 - Manual (Page 391)

Index
Index
I-1
A
Ancillary push-button block (lower) 6-58/60
Ancillary push-button block (upper) 6-55/57
Artists/projects & titles screen 7-32/34
Assignable channel processing 3-9
Assignable panels 3-3, 3-4/5
Automation off 7-79
B
Backups screen 7-95
backup, restore & copy operations 7-97/98
backup, restore & copy procedure 7-99/100
layout overview 7-96
Basic console operations
to bounce tracks 3-28
to equalise monitor signal post multitrack 3-25
to equalise signal feeding the multitrack 3-24
to insert dynamics post multitrack return 3-27
to insert dynamics pre multitrack send 3-26
to link compressor side-chains in a group 3-31
to link compressor side-chains so that one channel
controls a second channel 3-32
to monitor signals to and from tape 3-22
to route a mic or line input to the main output bus 3-19
to send signals to tracks on tape 3-21
to set up a de-esser using dynamics side-chain EQ 3-30
to set up a stereo headphone mix 3-23
to set up a super send group from channel inputs 3-20
to set up super send groups from multitrack 3-29
Bounce push-button 3-12
C
Central section faders 6-86
control groups and slaves 6-86
nested control groups 6-86
Central section panels 6-38/61
Channel metering
channel meter default 4-15
channel meters to input 4-15
multi in channel path 4-17
return monitor 4-16
send monitor 4-16
Channel screens 5-5
channel inserts 5-20
dynamics GUI 5-29
equaliser & filters GUI 5-28
hierarchy (1st level) 5-6
hierarchy (2nd & 3rd levels) 5-7
I/O GUI 5-11/27
line inputs 5-19
master GUI 5-39/48
mic inputs 5-15
multitrack group inserts and outputs 5-25
multitrack inputs 5-19
preferences GUI 5-30/38
routing GUI 5-8
Command lines 6-64/72
command key functions 6-65
examples 6-65/72
function keys 6-64
quick rollback 6-73
ranges & lists 6-65
using numeric keypad to enter timecode 6-73
Control keyboard panel 6-62
command lines 6-64/72
jog wheel functions 6-63
keyboard entry to record arm channel tracks 6-75
tape remotes section 6-74/75
Control LCD screen panel 6-87
Control screens
master control screens 5-2
structure 5-3/4
Control surface
assignable panels 3-3, 3-9
basic elements 3-3
configurations 3-2, 6-3
layout 3-6/7, 6-3/5
location of assignable panels 3-4/5
main areas of operation 3-3
Conventions used in this manual 6
Copy channel fader balance 7-60
Copy monitor and M/T send fader balance 7-60
Cue points
to adjust the time of a cue point offline 7-12
to obtain a rough balance 7-12
to set a cue point offline 7-12
to set cue points ‘on the fly’ 7-11
Cuts
add a new cut 7-16, 7-73
advance the in-point 7-17, 7-74
advance the out-point 7-17, 7-74
automate cuts 7-13/15, 7-70/75
erase a cut completely 7-18, 7-75
make a cut longer 7-18, 7-75
modify cuts using ready trim 7-73
set up cuts for automation locally 7-71
set up cuts for automation using central master keys 7-71
D
Data flow 1-4/5
Diagnostics screen A-17
Dynamic automation moves
automation off 7-79
dropping out of write on subsequent mix passes 7-78
film mode 7-80
global ready enable 7-81
motorised fader controls 7-64
selective automation isolate 7-79
to automate a pan move (or any other knob) 7-77
to automate cuts 7-70/75
to automate other switches 7-76
to trim pan moves (or any other knob) 7-78
Inde
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Index