Ring modulator (ring mod.), Frequency level – Hammond SK Pro-73 73-Key Portable Keyboard/Organ User Manual

Page 109

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109

Editing Parameters

Ring Modulator (Ring Mod.)

SOURCE

Settings: Mod, Exp, LFO, Note

Th

is allows you to select how to modulate the ring frequency.

Mod

............Allows you to use the [MODULATION] wheel.

Exp

..............Allows you to use the Expression Pedal.

LFO

.............

Allows a cyclical modulation eff ect using a dedicated LFO-Low Frequency Oscillator.

Note

...........Allows you to use a note on the UPPER Keyboard.

SENSITIVITY

Setting Range:

0 ~ 127

Th

is allows you to adjust the sensitivity or width of the LFO.

A higher value results in a wider excursion of the LFO.

NOTE: The SOURCE must be set to “LFO” to hear this eff ect.

FREQUENCY

Setting Range:

0 ~ 127

Th

is allows you to adjust the central ring frequency.

A higher value results in a higher central frequency.

MIX

Setting Range:

0 ~ 127

Th

is allows you to adjust the volume balance between the “dry” and the eff ect sounds.

At “0” only the “dry” sound is heard. Th

e eff ect level becomes greater as the value

increases. At “64” the ratio between the “dry” and the eff ect sounds becomes 1:1. At
“127,” only the eff ect sound is heard.

LFO

WAVEFORM

Settings: Triangle, Square, Saw Up, S & H

Th

is allows you to select the waveform of the LFO.

Triangle

.......... Triangle wave.

Square

............. Square wave.

Saw Up

............ Sawtooth Upward wave.

S & H

................. Sample and Hold.

NOTE: The SOURCE must be set to “LFO” to use this Parameter.

LFO

RATE

Setting Range:

0 ~ 127

Th

is allows you to adjust the rate of the LFO.

A higher value results in a faster rate.

NOTE: The SOURCE must be set to “LFO” to hear this eff ect.

Frequency

Level

Waveform,

Rate

Modulation

Ring

Frequency

Modulation

Source

Original Signal

Effect Signal

RING MODULATION

“ R i n g m o d u l a t i o n” i n a n a l o g c i r c u i t s i s
accomplished by arranging diodes in a circle or
ring, giving rise to the term, “ring modulator.” The
result is a sound rich in overtones and typically
having somewhat of a bell-like or metallic quality.
Because of this, the sound is sometimes called a
“Klang tone.”

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