Effects parameters, General parameters, Effects parameters -9 – Kurzweil Forte User Manual

Page 203: General parameters -9

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The Effects Chain Editor

Effects Parameters

8-9

Effects Parameters

This section contains descriptions of the Forte’s many effects parameters, and instructions

on how to use them. Read through this section to get a good general understanding of the

parameters.
The descriptions here do not include all of the parameters associated with every effect, and

some effects may not have some of the parameters described here for their category. A more

complete reference, with every effect and the meaning and range of every parameter, arranged

in the order they appear on the screen, can be found in the KSP8 Algorithm Reference Guide

on the Kurzweil website,

www.kurzweil.com

.

General Parameters

There are a number of parameters that are common to all or almost all effects, and we’ll deal

with those first.
Wet/Dry

balances the levels of the processed and unprocessed signals output from the effect.

Wet represents the processed signal, while dry represents the unprocessed signal. The range

is 0% wet (the signal is unprocessed) through 100% wet (no dry signal is present). Values

between 0% and 100% blend the two signals, for example, at 20% the output signal is

20% wet (processed) and 80% dry (unprocessed.) A setting of 50% wet means the dry and

processed signals are roughly equal in level. In some effects, separate Wet/Dry parameters

are provided for the Left and Right input channels. In some cases, this parameters can have

negative values, which indicate that the Wet signal is polarity-inverted.
When an effect with the Wet/Dry parameter is used in Chain that has been selected as an

Aux effect, Wet/Dry is automatically set to 100% wet and cannot be adjusted. This is because

when using an Aux effect, the dry signal is already effectively at 100% on the main audio bus

(not routed through the Aux effect.) In this case, turning up the Aux send level will blend the

100% wet signal (from the Aux bus) with the dry signal on the main audio bus.
Out Gain

sets the gain at the output of an effect.

In/Out

enables or disables the effect. You can think of it as a Wet/Dry parameter with only

two
HF Damping

(high frequency damping) is the cutoff (-3 dB) frequency of a 6dB/octave

lowpass filter that’s inserted before the processor. High frequencies above the set cutoff

frequency will be filtered out. In the case of processors where multiple iterations of the signal

are heard, such as in a delay, each iteration of the signal will pass through the filter, and will

therefore be duller.

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