Ring modulation, Stereo simulation, Ring modulation -25 stereo simulation -25 – Kurzweil Forte User Manual

Page 219

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The Effects Chain Editor

Effects Parameters

8-25

Ring Modulation

Ring modulation multiplies two signals (the “carrier” and the “modulator”) together to

produce unusual, often non-harmonic, overtones. The Ring Modulator effect in the Forte has

two modes: “L*R” in which two mono signals are modulated together; and “Osc”, in which

the input is stereo, and it is modulated with the sum of five waveforms that are generated

from oscillators within the effect itself. Four of these oscillators are sine waves, while one

(Oscillator 1) offers a selection of waveforms.
Wet/Dry.

When the effect is in “L*R” mode, this controls how much of the left signal only is

passed dry (the right signal isn’t passed dry at all).
Mod Mode

selects between the two modes, L*R or Osc.

Osc1 Lvl

is the level of Oscillator 1, from 0 to 100%.

Osc1 Freq

is the frequency of Oscillator 1, from 16 to 25088 Hz.

Osc1 Shape

is the waveshape of Oscillator 1, selectable from Sine, Saw+, Saw-, Pulse, and

Tri.
Osc1PlsWid

(Pulse Width). When Osc1 Shape is set to Pulse, this sets the pulse width as

a percentage of the waveform period. When the width is set to 50%, the result is a square

wave. This parameter has no effect if other waveform types are chosen. Range is 0 to 100%.
Osc1Smooth

smooths (removes the higher harmonics from) the Saw+, Saw-, and Pulse

waveforms. A Sawtooth wave becomes more like a triangle wave, and a Pulse wave becomes

more like a sine wave. Range is 0 to 100%.
The other four oscillators, Sine2 through Sine5, each have Lvl and Freq controls.

Stereo Simulation

The Mono to Stereo effect converts a monaural input to simulated stereo output.
In Select

selects the input signal to be “stereo-ized.” It can be Left, Right, or both: (L+R)/2.

CenterGain is the level of the summed left and right channels. Range is Off/-79.0 to 24.0

dB.
Diff Gain

is the level of the difference signal produced, which is the spatial component of

the stereo signal. Range is Off/-79.0 to 24.0 dB.
DiffBassG

controls the gain of a bass-shelf filter on the difference signal. By boosting the

low frequency components of the difference signal, you can increase the sense of acoustic

envelopment. Range is -79.0 to 24.0 dB.
DiffBassF

is the transition frequency for the bass-shelf frequency. Range is 16 to 25088 Hz.

The processed signal is split into three frequency bands—Lo, Mid, and High—each of which

can be delayed and panned separately.

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