Appearance preferences audio preferences, Appearance preferences, Audio preferences – Adobe Premiere Pro CC v.7.xx User Manual

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Automatch Time

5.1 Mixdown Type

Play Audio While Scrubbing

Mute Input During Timeline Recording

Default Track Format

Mono

Stereo

Mono As Stereo

5.1

Linear Keyframe Thinning

for Windows and vertical for Mac OS. For Windows, press the Ctrl key to switch to vertical scrolling.

You can specify whether Adobe Premiere Pro, by default, displays timeline playback by page scroll, by smooth scroll, or no scroll. In page
scrolling, each new view of the timeline appears after the playhead moves offscreen. In smooth scrolling, the playhead remains in the middle
of the screen, while the clips and time ruler move by.

You can specify whether Adobe Premiere Pro, by default, shows clip keyframes, clip volume, handles, keyframes, track keyframes, track
volume, or to hide keyframes for audio tracks. Select the desired option from the New Timeline Audio Tracks menu.

You can specify whether Adobe Premiere Pro, by default, shows opacity handles, keyframes, or neither for video tracks. Select the desired
option from the New Timeline Video Tracks menu.

Bin behavior when double-clicking on a bin, or double-clicking with the Shift or Option keys can be controlled in the Bins preference.

You can choose to show the match sequence settings to clip dialog.

Appearance preferences

In the Appearance pane of the Preferences dialog box, you can set the overall brightness of the user interface.

Audio Preferences

The Automatch Time preference specifies the time, in the Audio Mixer, for any control that has been adjusted to return to its

previous setting. Affected controls are Volume, Pan, Effect and Send parameter knobs in Audio, Submix and (except sends) Master track.
Automatch Time preference affects properties in Touch mode, and in Read mode for effects with keyframes.

Specifies how Premiere Pro mixes source channels to 5.1 audio tracks.

Enables audio scrubbing. You can create a keyboard shortcut called “Toggle Audio During Scrubbing” to toggle

audio scrubbing on or off while scrubbing. Using a keyboard shortcut is preferable to returning to the Preferences dialog box each time you want to
turn audio scrubbing on or off.

Check this box to prevent monitoring of the audio inputs while recording the timeline.

Defines the type of track in which the clip audio channels are presented when a clip is added to a sequence—Mono,

Stereo, Mono As Stereo, or 5.1.

Maps the source audio channels so that they’re placed on separate mono audio tracks. For example, when you select Mono from

the Default Track Format menu, Premiere Pro maps each source channel to a separate mono track on capture or import. If you capture
from a stereo source with this setting, Premiere Pro maps each of the source channels to a separate monaural track. You can apply the
Mono track format to clips containing any number of audio channels. Importing a file containing 5.1 channels maps them to six audio
tracks. When you add the clip to the sequence, the clips on the separate mono tracks remain linked together.

Maps the source audio channels so that paired channels are placed on stereo audio tracks. You can apply the Stereo track format

to clips containing any number of audio channels. If the clip doesn’t contain an even number of channels, a silent channel is created. The
silent channel is paired with the unpaired channel when the clip is added to a sequence.

Maps the source audio channels so each is placed on a stereo audio track. Premiere Pro duplicates the audio from

each mono source channel and places it in the left and right channels of a stereo track. You can apply the Mono As Stereo format to clips
containing any number of audio channels.

Maps the source audio channels so that one or more groups of six channels are placed into separate 5.1 surround audio tracks. If the

number of source channels is not a multiple of six, Premiere Pro creates a 5.1 surround audio track with silence on one or more channels.

Creates keyframes only at points that don’t have a linear relationship to the start and end keyframes. For example,

suppose you are automating a fade from 0 dB to –12 dB. With this option selected, Premiere Pro creates keyframes only at the points that

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