Adobe Premiere Pro CC v.7.xx - Manual (Page 485)

YC Waveform
YCbCr Parade
RGB Parade
All Scopes
Vect/YC Wave/YCbCr Parade
Vect/YC Wave/RGB Parade
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Note:
Note:
Note:
Displays the luminance (represented as green in the waveform) and chrominance (represented as blue) values in your clip.
Displays waveforms representing levels of the luminance and color difference channels in the digital video signal. Users
comfortable with viewing YUV waveforms might consider using this scope when making color and luminance adjustments.
Displays waveforms representing the levels of the red, green, and blue channels in a clip. This graph is best for comparing the
relationship between the three channels.
Displays all scopes in one monitor.
Displays the Vectorscope, YC Waveform, and YCbCr Parade in one monitor.
Displays the Vectorscope, YC Waveform, and RGB Parade in one monitor.
Phil Hawkins offers a hands-on introduction to the color correction workspace in this tutorial video at Infinite Skills.
Apply the Color Correction effects
The following procedure is a general overview of applying the Color Correction effects. Read on to know more about making adjustments using
the specific controls.
1. Set up your workspace for color correction. If possible, make sure that a calibrated NTSC or PAL monitor is connected to your computer.
2. Apply one of the Color Correction effects to the clip in a Timeline panel.
If the clip is already selected in a Timeline panel, you can drag the effect to the Video Effects area of the Effect Controls panel.
3. In the Effect Controls panel, expand the Color Correction effect.
4. Move the current-time indicator to a frame that provides the best example of colors that need to be adjusted.
5. (Optional) Do any of the following to set preview options when correcting color:
To view only the luminance values in a clip, choose Luma from the Output menu. This option only affects the preview in the Program
Monitor, it doesn’t remove the color from the video.
To display a before and after view of the clip in one monitor, select the Show Split View option. You can specify whether the split view is
horizontal or vertical by choosing from the Layout menu. You can also adjust the relative proportion of the before and after views.
6. (Optional) Use the Tonal Range Definition control to define the shadow, midtone, and highlight areas in the clip. See also Define the tonal
ranges in a clip .
Only the Luma Corrector, RGB Corrector, and Three-Way Color Corrector effects let you apply adjustments to a specific tonal range.
7. (Optional) Click the triangle to expand the Secondary Color Correction controls if you want to correct the exposure for a specific color or
range of colors. Use the Eyedropper tool or the other Secondary Color Correction controls to specify the colors to correct. See also Specify a
color or range of colors to adjust .
All Color Correction effects have Secondary Color Correction controls except the Fast Color Corrector effect and Video Limiter effect.
8. Do any of the following:
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