Using the multi-camera source sequence dialog box, Using the multi-camera source sequence, Dialog box – Adobe Premiere Pro CC v.7.xx User Manual

Page 67

Advertising
background image

To the top

You can use keyboard shortcuts for multi-camera editing. You can use the number keys to switch cameras as the multi-camera sequence
plays. The keyboard shortcuts can also be used to change angles after completing a multi-camera edit. For more information, see Multi-camera
keyboard shortcuts.

9. Export the multi-camera sequence

With the sequence active in the Program Monitor or Timeline panel, select File > Export > Media. Specify the export settings and click Export, or
click Queue to send the sequence to Adobe Media Encoder for encoding. For more information, see Workflow and overview for editing.

Using the Multi-Camera Source Sequence dialog box

Use the Create Multi-Camera Source Sequence dialog to combine clips that have common In/Out points or overlapping timecode into a
multicamera sequence. You can also combine clips using audio waveforms and markers.

Multi-Camera source sequence name

You can name your multi-camera source sequence after your primary video or audio clip in the sequence. From the pop-up menu, select the
appropriate option to append "Multicam" or a custom name to the primary video or audio name.

Alternatively, select Custom from the pop-up menu, and enter a custom name in the text box.

Synchronize Point

Before creating a multi-camera source sequence using In points, Out points, or clip markers as the synchronization point, you mark clips for
synchronization. For more information, see

Mark clips for synchronization

.

In Points, Out Points

Mark the sync points using In Points or Out Points before creating the multi-camera source sequence.

Timecode

Select the Timecode option to synchronize the clips if they were recorded with timecode in sync with each other.

Select the Create Single Multicam Source Sequence option to combine the clips into a single multi-camera sequence. Select this option
when the coverage from the individual shots has gaps, and you want to create a sequence that preserves the gaps. If you do not select this
option, only overlapping clips are combined and clips with no overlaps are left unused.

Select Ignore Hours if each clip has timecode that starts at a different hour but otherwise overlaps in timecode.

Premiere Pro lets you perform quick multi-camera edits based on sync timecode. Press the modifier key Ctrl (Win) or Cmd (Mac) while switching
source clips to match frame to the timecode at the current playhead position.

Clip Marker

Select the Clip Marker option to sync the clips using clip markers that are manually added to common sync points.

Audio

Select the Audio option to synchronize the clips automatically based on the audio waveforms. You can use audio recorded from a second source
to automatically sync and create multicamera and merged clips using audio waveforms.

Sequence preset

Select the Sequence Preset pop-up menu to select from a list of all previously saved sequence presets.

The sequence preset Automatic is selected by default. When you select the Automatic preset, the video preset is based on the video format of the

70

Advertising
This manual is related to the following products: