Adobe Premiere Pro CC v.7.xx User Manual
Page 39
What's new in Adobe Media Encoder CC 7.1 and CC 7.2
This article describes the new and changed features in Adobe Media Encoder CC 7.2 and CC 7.1 releases. See the What's new in AME CC
document for information on changes in the AME CC 7.0 release.
Enhancements in AME 7.2
Changes in AME 7.1
Improvements to AVCI export
GPU acceleration
DNxHD presets
Interpret footage
Native Premiere Pro and Prelude project loading
FCP XML support
Sync settings
Effects settings
Enhancements in AME 7.2
The AME 7.2 release now supports Dolby Digital Plus audio encoding through SurCode. This new option is available in any H.264 and
MPEG2 encoders. Set the multiplexer option to "MP4", "TS", or "None". Note that Dolby Digital Plus audio are external use only. For now, no
Adobe application can import this format.
H.264 export now allows you to mux MP3 and Dolby audio in addition to AAC audio. In previous releases, you could only mux AAC audio.
Vimeo presets are now set to use 48kHz audio per Vimeo's recommended specifications.
Presets synced to the cloud now show a CC icon
in the Preset Browser, which differentiates them from presets saved locally.
See the GPU acceleration section for details on
acceleration support in AME.
Changes in AME 7.1
Improvements to AVCI export
The export performance of MXF OP1a AVCI has been greatly improved. AME now uses the MainConcept AVCI codec for this format and as a
result the files are rendered faster. The following options have been added:
AVCI100 1080p50
AVCI100 1080p60
AVCI200
XAVC Intra HD (1020x1080)
XAVC Intra 4K(3840x2160)
XAVC Intra 4K(4096x2160)
All the above formats are smart rendering enabled.
35