Enhancements to "lift or extract" feature, Copy, cut, clear works on in/out points, Enable/disable clips using enable clip command – Adobe Premiere Pro CC v.7.xx User Manual

Page 22: Matching frames using clip selection, Relinking offline sequences

Advertising
background image

To the top

To the top

To the top

To the top

To the top

The Copy/Paste feature continues to use the workflow where duplicate instances are created and linked back to the original master title clip.

Besides the methods already mentioned, there are other methods to create a duplicate title. For example, you can use the Match Frame
feature in the track item to load the master clip title in the Source monitor. You can then edit the title back into the sequence, or find the
original master clip title manually and edit that into the sequence.

Enhancements to "Lift or Extract" feature

The Lift or Extract feature in Premiere Pro lets you easily move portions of selected clips from one sequence to another.

In previous versions, Premiere Pro required you to set both an In and Out point to define the range to be "Lifted" or "Extracted". For a quick look at
how this feature worked earlier,

read this tutorial

from Clay Asbury.

The Lift or Extract feature is now enhanced to work when either an In point or an Out point is set. When only an In point is set, Lift or Extract
works on the segment starting from the In point and ending at the sequence end. When only an Out point is set, Lift or Extract works on the
segment from the beginning of the sequence to the Out point.

Copy, Cut, Clear works on In/Out points

The Cut, Copy, Clear functions in Premiere Pro work on targeted tracks that have In or Out points set in that range. You can use these functions
without selecting specific clips in the sequence.

If you set only an In point, then an In/Out range is not required. The Cut, Copy, Clear functions work on the targeted tracks from the In point to the
end of the sequence. Similarly, when you set only an Out point, the Cut, Copy, Clear functions work on the targeted tracks from the beginning of
the sequence to the Out point.

Enable/disable clips using Enable Clip command

You can now quickly toggle between the states of enabled clips. While previewing edits, this feature helps you switch back and forth between two
different playback results.

When you select multiple clips with mixed settings, you can use the Enable Clip command as a toggle to enable/disable the clip. For example, if
Clip A is enabled and Clip B is disabled, selecting both clips together and using Enable Clip results in disabling Clip A and enabling Clip B.

To use the Enable Clip command, right-click (Win) or Ctrl-click (Mac OS) a clip in the Timeline, and select Enable from the context menu.

Matching frames using clip selection

In previous versions of Premiere Pro, the Match Frame command used Track Targeting to identify the clip in the Timeline to match. Now, clip
selection supersedes track targeting. When you select a clip, Match Frame ignores track targeting, and matches to the frame under the playhead in
the selected clip.

Some important points:

When you select a clip, ensure that you place the playhead on a frame within the selected clip. If the playhead is placed on a frame outside
the selected clip, Track Targeting is used, and the frame on the topmost targeted track is matched.

When you select multiple clips, the playhead is placed over more than one clip. The Match Frame command then matches the topmost clip.

Relinking offline sequences

The Link Media command is now available for offline sequences. This command lets you relink all the media used in a specific sequence without
having to relink all the media in the project.

Using the Link Media command

18

Advertising
This manual is related to the following products: